It’s hard to tell, and one gets the impression that Abbruzzese, making his feature debut with this after a number of shorts, is happy to let things stand shrouded in mystery.
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An opening sequence that pans over a room full of sleeping bodies suggests that some of the action may be taking place in a dream world. Meanwhile, down in the Niger Delta, charismatic rebel Jomo (newcomer Morr Ndiaye, who hails from Gambia originally) is commanding a unit that is resisting the forcible seizure of land by petrochemical companies, although the exact nature of the conflict isn’t explained terribly well. 'Reality' Review: Sydney Sweeney Is Devastating as Reality Winner in Taut Thriller Shaped from FBI Transcript
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'Ingeborg Bachmann - Journey Into the Desert' Review: Vicky Krieps Shines in Margarethe von Trotta's Lackluster Literary Biopicīerlin Hidden Gem: Drag Queen Revenge Thriller 'Femme' and the Birth of "Queer Noir" But by all means, you might as well steal from the best. But, yeesh, that script by director-screenwriter Giacomo Abbruzzese is a mess - a lumpy mix of silly supernatural elements and indigestible arthouse pretension, all garnished with an outright steal from Claire Denis’ infinitely superior 1999 French Foreign Legion-feature Beau Travail. A young Belorussian attempts to make the dangerous trip across the EU to sign up for the French Foreign Legion while a young rebel leader in Niger and his sister attempt to help their people survive the ravages of post-colonialism in wildly uneven Berlinale competitor Disco Boy.Ī committed, intensely physical lead performance by German actor Franz Rogowski (recently seen in Ira Sachs’ Passages), luminous cinematography courtesy of ace DP Helene Louvart, and stirring electronic music by composer Vitalic all come together to make this a sensuous, striking film experience.
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